An Anthropological Study
by Roberte Hamayon
Translated by Damien Simon
Foreword by Michael Puett
Whether it’s childhood make-believe, the theater, sports, or even market speculation, play is one of humanity’s seemingly purest activities: a form of entertainment and leisure and a chance to explore the world and its possibilities in an imagined environment or construct. But as Roberte Hamayon shows in this book, play has implications that go even further than that. Exploring play’s many dimensions, she offers an insightful look at why play has become so ubiquitous across human cultures.
Hamayon begins by zeroing in on Mongolia and Siberia, where communities host national holiday games similar to the Olympics. Within these events Hamayon explores the performance of ethical values and local identity, and then she draws her analysis into larger ideas examinations of the spectrum of play activities as they can exist in any culture. She explores facets of play such as learning, interaction, emotion, strategy, luck, and belief, and she emphasizes the crucial ambiguity between fiction and reality that is at the heart of play as a phenomenon. Revealing how consistent and coherent play is, she ultimately shows it as a unique modality of action that serves an invaluable role in the human experience.
“Hamayon’s decades-long research led her to the conclusion that a unique principle is underlying all human playing, which, however, appears in multiple expressions. For her, this principle is best defined by Gregory Bateson’s exploration that play constitutes an activity which is framed by meta-communication, in which the players, before they start playing, in one way or another state, “This is play”, meaning that “these actions in which we now engage do not denote what those actions for which they stand would denote” in normal life (Bateson, Steps to an Ecology of Mind. San Francisco 1972). The main data, upon which Hamayon rests her study, are historical records of the Roman gladiatorial games and reports and her own observations of the shamanic ritual plays for hunting success of the Buryats – a Mongolian language ethnic group in southern Siberia numbering about 450,000 – and the wrestling matches and dances which accompany them.”
—Krist, Stefan, Review of Hamayon, Roberte, Why We Play: An Anthropological Study. Anthropos 113 (1) (2018): 296–98.
Roberte Hamayon is Honorary Professor at the École Pratique des Hautes Études (Sorbonne-PSL) in Paris. An anthropologist and linguist, she has conducted fieldwork in Mongolia and Buryatia since the late 1960s. Her main publications concern shamanism, epics, ritual, and the notion of playing: Eléments de grammaire mongole (with M. L. Beffa, 1975); La chasse à l’âme: Esquisse d’une théorie du chamanisme sibérien (Nanterre, 1990); Le chamanisme: Fondements et pratiques d’une forme religieuse d’hier et d’aujourd’hui (Eyrolles, 2015); and Why we play (HAU Books, 2016).
370 pages, 6″ x 9″
Foreword: “In praise of play,” by Michael Puett
Part One: From games to play
Chapter 1: Can play be an object of research?
Chapter 2: Play in the West
Chapter 3: Play defined in negative terms
Chapter 4: Buryat play
Chapter 5: Lively rhythmical movements creating a fictional frame
Part Two: Play and its multiple dimensions
Chapter 6: Bodily involvement and the creation of other dimensions
Chapter 7: Imitation
Chapter 8: Foreshadowing
Chapter 9: The cognitive process
Chapter 10: Interaction
Chapter 11: Dramatization
Chapter 12: Involving psyche
Chapter 13: Indeterminacy
Chapter 14: Strategy
Chapter 15: The social and political repercussions
Chapter 16: The privilege of virility
Chapter 17: Taking advantage of the gap